Juniore Paris, France
Juniore joue d'un décalage temporel, entre la nostalgie d'une époque jamais connue - celle des moteurs à deux temps et des
voyages sur la Lune - et un univers contemporain, à la Tarantino.
The “yéyé noir” of Juniore has always been rooted in the cinematic as much as the musical. The Paris outfit feels as intertwined with big screen aesthetics as greatly as it does being found in the grooves.
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supported by 21 fans who also own “Marche”
I haven't heard anything as just completely perfectly formed out of the gate--every decision the right one, what to include but more what to exclude--maybe ever. Don't know who Sault is, but they do not sound like they could be anyone who hasn't paid some dues to get this good. Or signed some Satanic contracts. 100% confidence, and it sounds 110% earned.
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Moments Remixes
by Michael Vincent Waller
There’s a quiet beauty to this remix album of compositions by Michael Vincent Waller, with contributions from JLin, Prefuse 73, & more.
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Thinking of Blue Almonds Part One
by Lou Lyne & the Blue Almond Project
Somber, beautiful string meditations abound on the debut album by Oxford cellist and composer Lou Lyne and her ensemble.
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Ki moun ou ye
by Nathalie Joachim
Vocalist, flutist, and composer blends traditional instrumentation with jazz-inflected neoclassical arrangements.
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supported by 19 fans who also own “Marche”
Like so many others, this came like a bolt out of the blue and, even though it's well before payday, I had to have this astonishing album on vinyl to prove it exists. The feel of the tunes makes me feel like the Impressions do, Curtis Mayfield, the big spaces and instinctive horns and stuff drifting in and out. Great grooves and I can see lots of ghosts nodding along to this with big smiles on their faces. At last!
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